Timo Tjahjanto, renowned for his masterful action sequences in films like Headshot and The Night Comes For Us, brings his signature brand of brutality to The Big 4. However, this latest venture, while visually stunning, falls short in its comedic elements, creating a somewhat uneven viewing experience.


The film’s opening act is a thrilling spectacle of violence, as the titular quartet of vigilantes wreak havoc on a gang of organ traffickers. Tjahjanto’s expertise in choreographing intense fight scenes is on full display, with each encounter leaving a bloody trail. The characters, played by Abimana Aryasatya, Arie Kriting, Lutesha, and Kristo Immanuel, are well-defined and engaging, adding depth to the action.
Unfortunately, the film’s comedic tone, introduced when the protagonist, Dina, encounters her adoptive father’s secret family, proves to be a significant misstep

. Tjahjanto’s attempts at humor feel forced and often detract from the overall momentum of the narrative. While the action sequences are undeniably impressive, the comedic interludes can be tedious and somewhat jarring.
Despite its flaws, The Big 4 is still a visually striking and entertaining film.

The climactic action set-piece is a highlight, showcasing Tjahjanto’s ability to create truly jaw-dropping sequences. However, the film’s uneven tone and pacing ultimately hinder its potential. While it’s a must-watch for fans of action cinema, viewers seeking a more balanced blend of action and comedy may find themselves disappointed.

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